Play Along Piano

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Opera

Vivaldi - Sento in seno ch'in pioggia di lagrime

HoltWasHere

2:03	Est. Play Time
80	Measures
	1,086Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	74	6	2	100%
		21	23	2	2	98%
Voice		13	0	4	8	60%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	74	6	2	100%
		21	23	2	2	98%
Voice		13	0	4	8	60%

The Phantom of the Opera

musikmann

4:02	Est. Play Time
121	Measures
	2,711Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	14	11	5	18%
		1	0	0	1	1%
View all 28 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	14	11	5	18%
		1	0	0	1	1%
		23	1	9	2	100%
Electric Bass		20	0	6	2	100%
Violoncello		18	0	3	3	77%
Contrabass		18	0	3	2	75%
Christine		29	0	3	7	57%
Electric Guitar		35	20	11	9	40%
Phantom		20	0	3	5	36%
Violin 1		25	0	3	7	30%
B♭ Trumpet 1		16	0	6	6	19%
Trombone 1		13	0	5	6	19%
Violin 2		24	0	3	7	17%
B♭ Trumpet 2		16	0	4	6	16%
F Horn 1 amp;amp; 3		13	0	6	4	12%
Viola		9	0	1	6	12%
Timpani		5	0	0	2	12%
Flute 1		9	0	3	6	11%
Trombone 2		11	0	4	5	11%
Flute 2		9	0	2	6	9%
F Horn 2 amp;amp; 4		13	0	5	4	7%
Tuba		12	0	3	4	7%
Oboe 1		8	0	2	6	7%
B♭ Clarinet 1		10	0	2	4	5%
B♭ Clarinet 2		7	0	2	4	5%
Bassoon 1		8	0	2	4	5%
Bassoon 2		10	0	2	4	5%
Oboe 2		10	0	3	4	5%

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn		7	0	2	2	75%
		7	0	2	2	75%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn		7	0	2	2	75%
		7	0	2	2	75%
		7	0	2	2	75%
		7	0	2	2	75%
B Trumpet		6	0	2	2	50%
		6	0	2	2	50%
Double Basses		3	0	1	1	50%
Flute		17	0	4	2	50%
Piccolo		17	0	4	2	50%
Timpani		1	0	0	2	50%
Violas		3	0	1	1	50%
Violins 1		17	0	4	2	50%
Violins 2		17	0	4	2	50%
Violoncellos		3	0	1	1	50%
F Tuba		4	0	2	2	25%
Oboe		3	0	1	1	25%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
Bassoon Continuo		14	0	3	5	100%
Bass as Raymondo		17	0	5	8	75%
Oboe		8	0	2	3	71%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione

Papibois

2:13	Est. Play Time
75	Measures
	1,156Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	5	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basse		10	1	2	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I		20	1	5	5	100%
2 Viole		15	0	4	4	99%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I		20	1	5	5	100%
2 Viole		15	0	4	4	99%
4 Violini II		14	2	2	4	99%
Cembalo		18	45	5	3	98%
		17	0	3	3	97%
2 Celli e Contrabasso		17	0	3	3	97%
Contrabasso		17	0	3	3	97%
Orfeo		15	0	4	6	82%
Effetti MIDI		7	1	1	2	4%

"Night Train" - Philip Glass (arr. for solo piano)

bradleygpittman

7:35	Est. Play Time
123	Measures
	1,516Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira		14	0	4	5	96%
Cembalo Continuo		14	24	3	4	83%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira		14	0	4	5	96%
Cembalo Continuo		14	24	3	4	83%
		14	1	3	3	78%
Viola		9	0	2	3	78%
Violin 1		8	0	1	3	78%
Violin 2		7	0	2	3	78%
Violoncello Continuo		12	0	3	3	78%
Bassoon Continuo		11	0	2	3	74%

N°5. Giovinette, che fate all amore. Don Giovanni - Piano

FranckM.

1:47	Est. Play Time
87	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	46	4	6	100%
		17	14	1	6	99%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	46	4	6	100%
		17	14	1	6	99%
Masetto		9	0	1	4	36%
Zerlina		9	0	1	3	34%
Chorus Sop. amp;amp; Alto		12	3	1	5	25%
Chorus. TENOR amp;amp; BASS.		8	0	0	5	23%

HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"

edward.maurath

0:16	Est. Play Time
4	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		9	3	1	2	100%
		8	4	2	2	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		9	3	1	2	100%
		8	4	2	2	100%
Harpsichord		9	3	1	2	100%
		8	4	2	2	100%
Violoncello		5	0	1	2	100%
Flute		7	0	0	3	75%

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